Before your wedding, you probably already know some of the photos you want.
The first kiss. The portraits of the two of you. The first dance. The photo with your entire wedding party where, miraculously, everyone is looking at the camera.
And yes, those photos matter.
But after photographing weddings for years, I’ve realized that some of the photographs that become the most meaningful aren’t necessarily the ones you knew to ask for.
They’re the ones you couldn’t have planned.
Your dad holding onto you for an extra second before he gives you away. Your mom’s face as she watches from her seat. Your new husband absentmindedly spinning his wedding band around his finger because it’s the first day he’s ever worn one.
They’re photographs that might not make it onto your Pinterest board before the wedding—but they’re often the ones that make your wedding gallery feel like your wedding.
Here are some of the wedding photos you might not know you’ll care about yet.



There’s the photograph of you walking down the aisle.
And then there’s the moment right after it.
I have a photograph from one wedding of a dad handing his daughter off and pulling her into a hug. It’s such a small part of the ceremony. It happens in seconds.
But think about what that photograph might mean in ten, twenty or forty years.
That’s what I’m always looking for.
Not only the traditional photograph of you coming down the aisle, but what happens around it. Your dad’s face. Your mom watching from her seat. Your grandparents reacting. Your partner seeing you for the first time.
Sometimes the most important person in a photograph isn’t the person the camera was technically supposed to be pointed toward.



This is one of the biggest reasons I love having a second photographer on a wedding day.
There are moments when two important things are happening at exactly the same time.
While I’m photographing you coming down the aisle, someone else can photograph your partner’s reaction.
While I’m focused on your dad hugging you before giving you away, my second photographer can catch your mom watching it happen.
The same thing happens while you’re getting ready.
You might be looking into the mirror while someone buttons your dress, but behind you your mom, grandma, sister, aunt or best friend might be looking at you with an expression you never even noticed in the moment.
You can’t be looking everywhere on your wedding day.
You shouldn’t have to.
Part of documenting a wedding well is paying attention to the people who are paying attention to you.



Detail photographs can sometimes feel insignificant before the wedding.
Do you really need a photograph of your invitation?
Your earrings?
Your shoes?
The rings?
I think you do.
Because by the time your wedding arrives, you’ve probably spent months making tiny decisions.
You chose the invitation your guests opened when they first learned what your wedding would feel like. You picked your earrings to work perfectly with your dress. Maybe you chose a perfume specifically because you wanted to wear it on your wedding day. Maybe there’s a watch, cufflink, ring, handkerchief or heirloom that belonged to someone you love.
Individually, they’re little things.
Together, they help tell the story.
And if you eventually turn your wedding photographs into an album, these images become some of my favorite photographs to use at the beginning. They establish the setting before we ever get to the people.
Years later, they also preserve things you probably won’t remember nearly as clearly as you think you will.



The bride’s engagement ring gets a lot of attention before a wedding.
She’s probably been wearing it for months—or years.
But there’s another ring I think deserves more attention.
His.
Your wedding day might be the first day your husband has ever worn a ring on that finger.
And you’ll catch him noticing it.
He’ll twist it. Fidget with it. Look down at his hand. Play with it without even realizing he’s doing it.
I photographed one groom driving his Mustang away from his reception, and you could see his wedding ring on his hand as he drove.
It wasn’t a traditional “ring photo.”
That’s why I loved it.
It was simply his hand doing something completely normal—except there was suddenly a wedding band there that hadn’t been there the day before.
Those tiny changes are part of the story, too.



Of course we’ll take the family photograph with your parents.
But I also love photographs where you aren’t in the frame at all.
Your parents dressed up together at your wedding.
Your grandparents dancing.
Your siblings laughing at cocktail hour.
Your best friends talking at a table.
These people are part of your life outside of your wedding, but how often do you have beautiful photographs of them simply being together?
Your wedding happens to gather an incredible number of people you love into one place.
I want to document them, too.


Some of my favorite reception photographs aren’t of the couple.
They’re your people.
It might be your college friends seeing each other for the first time in years. Your grandparents sitting together. Your aunt laughing at something across the table. Your parents having a conversation when they don’t realize anyone is photographing them.
Those images help answer a question that you can’t fully answer yourself:
What was happening at my wedding when I wasn’t there to see it?
Because you can’t experience every conversation happening at cocktail hour.
You can’t see every reaction during your ceremony.
You won’t know about every ridiculous thing your friends did on the dance floor.
But your photographs can show you.



You spent months planning your reception.
Then your guests walk in.
Suddenly there are purses on tables, jackets on chairs, half-empty glasses next to the centerpieces and place cards moved around.
That’s exactly what the room is supposed to look like once the celebration starts.
But I also want you to remember what it looked like before anyone touched it.
The perfectly set tables.
The florals.
The place settings.
The candles.
The bar.
The cake.
The room you imagined while you were planning your wedding finally existing exactly as you pictured it.
Photographing the untouched reception space gives you a record of all that work before the party takes over.



Getting-ready photographs aren’t only about putting on your dress.
They’re about the room.
They’re about everyone gathered around you.
They’re about your mom helping with a necklace, your best friend fixing your veil, someone steaming a dress in the background and your family seeing the finished look for the first time.
Wedding mornings can feel chaotic when you’re living them.
In photographs, though, you start seeing all the little relationships inside that chaos.
And sometimes a photograph of someone simply watching you get ready becomes more meaningful than the perfectly posed portrait you took five minutes later.



I love a good dance-floor photo.
But here’s something worth considering when you’re building your wedding photography timeline:
Give the dance floor time to become a dance floor.
If photography coverage ends twenty minutes after open dancing begins, we can absolutely photograph the beginning of the party.
But those probably aren’t going to be the same photographs we’d get an hour or two later.
As much as I hate to say it, sometimes people need a drink or two before they’re willing to abandon all dignity on the dance floor.
And that’s when things get fun.
The ties loosen. The shoes come off. Grandma gets pulled onto the floor. Your college friends remember a dance they apparently haven’t performed together in eight years.
If really fun, candid reception photographs matter to you, give your photographer enough time to stay for the part of the reception when everyone has actually loosened up.



A second photographer isn’t simply there to give you twice as many pictures.
Their biggest value is that your wedding is happening in more than one place at a time.
During your ceremony, I might need to photograph you while my second photographer watches your parents.
During getting ready, one of us can be with one partner while the other is somewhere else.
During cocktail hour, I can be photographing family portraits while my second photographer captures the people actually experiencing cocktail hour.
You can’t recreate those moments later.
Having another photographer means we don’t always have to choose between two things happening simultaneously.
And when your priority is having your wedding documented as it actually felt—not just completing a checklist of traditional wedding photographs—that makes a huge difference.



That’s really the point.
I can’t tell you which photograph from your wedding will become your favorite.
You might not know either.
It could be the epic golden-hour portrait we spent ten minutes creating.
Or it could be your dad’s hand on your shoulder.
Your husband playing with his brand-new wedding ring.
Your mom watching you get ready.
Your grandparents on the dance floor.
Your invitation sitting beside your earrings before anyone else was awake.
A photograph of two people you love laughing together when neither of them knew a camera was nearby.
The big moments deserve to be photographed beautifully.
But your wedding isn’t made entirely of big moments.
It’s hundreds of tiny ones happening all around you—many of which you’ll miss because you’re busy actually getting married.
Those are the photographs I want to give you, too.
Because someday, one of those little moments might not feel so little anymore.
If you’re planning a wedding in Detroit or anywhere in Metro Detroit and want a gallery that tells the whole story—not just the photographs you already know to ask for—let’s chat.